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In-depth Learning about what are the Techniques of Acting?


The kind of acting performance that you are showing is deeply affected by your technique. There is more than one technique exist in the world. So, what are the techniques of acting? In the next part, you are going to learn the most important acting techniques. By understanding specific details of each technique, you will be able to choose one that suits you best.

Learning about what are the Techniques of Acting?

Knowing your technique is one way to describe how do you learn acting? The technique serves as guidance to approach certain storyline and characters. Let’s learn about some of them.

Stanislavski’s Approach

This approach is considered a pioneer among techniques that are going to be mentioned. Konstantin Stanislavski explained that an actor has to empathize with a character that they are playing to perform a realistic interpretation of the said character. It employs emotional memory recollection and deep self-analysis. The approach should be mentioned when discussing 'what are the techniques of acting?' It is still the most frequently taught acting technique out there.

Adler’s Approach

Adler’s approach derives from Stanislavski’s. Stella Adler still believed that an actor must have empathy toward the acted character. Nonetheless, memory recollection is not enough to aid this process. Character study should be supported by the certain degree of imagination. You must use your imagination to prepare for things not mentioned in the script.

Strasberg’s Approach

This approach is also built on the foundation of Stanislavski’s. Lee Strasberg supported his teacher’s notion that emotional recollection is important in method acting. To further amplify empathy toward the character, an actor is encouraged to make connections with their private life. Things experienced by the character should be replicate within an actor’s real-life context.

Meisner’s Approach

Learning “what are the techniques of acting?” will not be enough without discussing Meisner’s approach. Sanford Meisner stated that an actor should be honest, open, and a great listener. An actor is placed in a play context. While they are in there, they should react instinctively to things happen in that environment. Lines and gestures should be memorized outside the actor’s head so it will not interfere with performance.

Hagen’s Approach

Hagen’s approach is quite similar to Strasberg in a way. An actor is encouraged to add their own personality to the character that is being played. Uta Hagen suggested that actor transfer their personal memories to the character’s experience. It will build a strong connection between actor and character.

Spolin’s Approach

Spolin’s approach emphasizes on living in the moment experience. It certainly stresses the importance of directing oneself as well as improvising. When an actor is placed under play’s circumstances, they are expected to give an immediate response to occurrences in their surroundings. It is quite difficult to approach improvisation naturally, but with regular practice, it is not impossible.

So, what are the techniques of acting?

There are many techniques out there which you can choose from. As an aspiring actor, you should learn as many techniques as possible. Once you have tried them, you can begin selecting which one that is suitable for you. (gk)